Wednesday, July 25, 2012

Daniel Miccio: Urbex Photographer

I was one of those people that resisted Instagram for a long time.  I had my reasons.  I finally gave in and while there are a lot of things I don't like about Instagram I can't deny there are some great things too.  The biggest one, just like on Flickr, is getting turned onto new folks doing great things.  That is how I bumped into Daniel Miccio.  Not only is he getting into some really amazing locations and taking great photos, he is doing so with a lot less gear than most I know who do similar photography.  I sent him a few questions and he shot them back to me with several of his favorite photos.  If you are on Instagram follow him:  dattmaniel.

Bridge Burner:  How did you first get into urban exploration?
Daniel Miccio:  One of my good friends got me into it a few years back. I was hooked after the first time we explored an abandoned mental hospital at night. I think it's the combination of the creepiness, the adrenaline rush of having to sneak into a place you're obviously not meant to get into, and the excitement of never knowing what you're going to find that really draws me to it. I hope some of those things come through when people look at my pictures.  
BB:  What kind of camera do you use?
DM:  I actually only use my phone right now, but I'm looking into getting a decent camera soon. Only using my phone can make it hard to get certain shots, especially in the more dimly lit areas of buildings.
BB:  What has been your favorite spot to explore and photograph?
DM:  I'm not sure if I have one particular favorite because each location is always so much different from the next. But I'm sure most people that do this would agree that the best places to explore are buildings that have basically been untouched for years, with very little vandalism and lots of "artifacts", like antique medical equipment, patient files, etc.
BB:  What is your "holy grail" urbex spot?
DM:  Definitely Chernobyl. I don't know when I'll get the chance but I need to get over there someday.
BB:  Do you think that graffiti makes an abandoned building more interesting or detracts from it?
DM:  It really depends. A few weeks ago my girlfriend, her sister, and I went to this beautiful abandoned castle in the woods in upstate NY. It looks like something straight out of a fairytale. But when we got inside, we found that some kids had recently gotten in and spray painted racial slurs and poorly drawn dicks all over the walls. Why anyone would think that's cool or funny to do in such a beautiful place is beyond me, but that's the kind of stuff you see almost everywhere you go. Occasionally you will see some really awesome graffiti done by an actual artist, and it can really add to the over all mood and feeling of the room or building you're in.
BB:  Have you ever had any sketchy run ins with people or the law while exploring? If so, care to talk about it?
DM:  So far I have been extremely lucky with being able to avoid cops and security. I've been to a few places with definite signs that homeless people and squatters are living there though, and that always makes me nervous. I'm more afraid of running into some crazy homeless dude then being caught by the police. The sketchiest thing that has ever happened to us was in the basement of an abandoned hospital a few months ago. Right before we were about to leave we noticed we missed a few rooms near the back. We wandered down a hall into a back room, which turned out to be a dead end. As we were about to turn around we heard this loud blood curdling screech followed by a deep growl coming from a pitch black room in the dark hallway we had to go back through to get out. We stood there frozen, trying to figure out what we were going to do and waiting for something to charge us. When nothing came out of the room, I grabbed a pipe that was lying on the floor next to me, and we made a mad dash through the hall and exited the building as fast as we could.
BB:  What do you typically carry with you when you go explore?
DM:  I usually carry a backpack with our respirators, a first aide kit, flashlights, a few water bottles and whatever camera equipment my girlfriend uses (her name on instagram is stegosaurlyss. She has some really amazing shots in her feed that are definitely worth checking out). I also started carrying mace after that incident in the basement.
BB:  What are your top 3 albums of all time?
DM:  Oh man, that is a really tough question. I don't know if this is really my top 3 but they're definitely somewhere up there. The first albums that come to mind are: Hot Damn by Every Time I Die, Buster by Admiral Angry, The God and Devil are Raging Inside Me by Brand New.
BB:  Because Bridge Burner cares, are you up to date on your tetanus shot?
DM:  Yes, I actually just got one a month or 2 ago because I cut my head open on a rusty gate sneaking into an abandoned hospital. Just saying that out loud makes you realize why some people would consider urbex a stupid hobby... but I really don't see myself giving it up anytime soon.

Saturday, July 7, 2012

Everyday Criminals

It took a little bit to get this feature together with Houston's own EDC, but we all finally worked out our schedules. Short interview and a couple of photo sessions should be enough explanation.

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Bridge Burner:  How long has EDC been around?
Seyes & Mihao:  Since 2008!  
BB:  Who are some local writers that have been an influence on you?
S:  Dudes like Abels and Lingo for sure, and then there's people like Ners, my old FEA homies.
M:  All of DTS/RTL, Munik (RIP) and Tums for getting me into sprayin' rap letters.
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BB:  It seems like before there were so many forums and photo websites writers still took flicks of their work, mostly just to sit in a box out of sight. Now everyone gets flicks of anything from tags to burners and they show up online multiple times. Do y'all think this is a good thing, or is it too much exposure?
S:  I think its good for everyone. Writers get flicks of their spots, people can see what certain writers have been up to. And you can see so much more graffiti from different people.
M:  Its cool coverage. Get to see what's new on the streets. Although, its' also cool to have some flicks that haven't been leaked anywhere on the internet to show the homies or something.
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BB:  Caps and paint may change for situation, but do you have a favorite paint or cap?
S:  Man, I love a NY fat on an ironlak can. So good. But my paint of choice would be Rustoleum.
M:  Montana Hardcore with a Euro Fat, Ironlak NY fat, and old school Krylon with a pink dot. Rusto forever.
BB:  What music have y'all been listening to lately?
S:  Hip hop...Some Big L, Gangstarr, De la soul and Jay Z's album "Reasonable Doubt", which was recommended by a good friend.
M:  Bits of everything. Charizma & Peanut Butter Wolf, Big L, Antonio Carlos, Letherette, The Brian Jonestown Massacre, and Souls Of Mischief as of lately.


BB:  Does music play a role in your graff at all?
S:  It gets me in a chill mood when I’m painting, but It wouldn’t affect how I would paint.
M:  Depends. It either gets me pumped to paint a stupid hot spot or a chill clean wall I can take my time on and relax.

BB:  What are some other cities y'all would like to get up in?
S:  Before I would do any US cities, Id have to go on a little Mexico tour with some homies. And go to places like San Luis Potosi, Monterrey and Mexico D.F.
M:  Wherever I can in the US first. Anywhere in Europe. Then places like River City, Melbourne, Montreal, and Vancouver.
Big shout outs to all the crew members and homies!

Thanks guys for helping put this together.



Friday, June 29, 2012

irons in the fire...

A little lull in the action, but there are some new features brewing. Hopefully one will be up next week and another the following.

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Wednesday, June 20, 2012

Monthly Metal

I am going to try to do this consistently each month. Since this is my blog, whatever I post as "metal" constitutes metal. If you don't like it, well, you can suck it.



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Friday, June 15, 2012

An Evening with DUAL...It's Not Just a Name

Most know Houston's DUAL for his wheat pasting antics, but there is a flip side to this vandal...he can paint, and when I say he can paint, I mean he is one of the best in Houston.  I have been fortunate to tag along and document him getting up before, but never painting.  So when he told me he was down to do an interview as well as a photo shoot of him painting I was really stoked. An anonymous someone who knows his way around a video camera also came along to document the action. Check out the video at the bottom of this entry.


Bridge Burner:  Why do you like wheat pasting as your primary medium?
DUAL:  Hard to say if wheat pasting is even my primary medium, but I do love it. Once I realized that I was able to work in the studio and create hundreds of prints for the streets I was hooked. Plus I’m really attracted to the idea of being able to spend time on an individual piece and mass produce it for many to see.  
BB:  When did you start screen printing?
D:  I first started screen printing in 2004, when a homie of mine (MEAT), introduced me to the concept. For the next year we worked together on a T-shirt line that consisted of redrawn images of people like Willie Nelson, Basquiat, Amelia Earhart, Buddy Holly and others... Once I was introduced to photo-emulsion, my whole life changed and DUAL was created. I have not stopped screen printing since.
BB:  You do a lot of gallery shows, do you think at some point that will become your main focus and getting up on the street will slow down or stop all together?
D:  From the very first time I wrote my name on a pole, wall or thrash can, I never expected to create work that would then be shown in galleries. I will never stop putting in work on the streets. I might slow down from time to time, but I will always have something for them. Plus the streets was my first gallery, and it's gotten me to where I am now, so I will always have love.
BB:  What do you think is the best spot you ever got wheat pasting?
D:  Damn, hard to say, I kinda forget some of them. The giant clock on Mary's rocked for a while, till it was dissed. Another clock on Numbers ran for years, and that was pretty rad. I even remember getting and email from someone who works there, thanking me for doing what I do, and letting me know that he appreciated it. Weird. Now if you asked what the best spot I've gotten was, I'd have to say the two rollers I did with Give Up.
Give Up - Dual!
BB:  How do you feel about graffiti writers mostly hating wheat pasters?
D:  Well, I think there will always be a dividing line amongst both artist. Hard to say why. Having come from the other side, I have always respected anyone that puts themselves out there in order to get a message across. But I guess that’s why I've tried hard to be versatile, this way hopefully no one can hate.

BB:  You aren't shy about your love for Houston...what is it about this city that you really like? If you had to live somewhere else, where would you go?
D:  It sure as hell ain't the summers. I've met many good friends here and gotten many opportunities for my work in Houston. Not sure if it would have been the same somewhere else. FUCK YOU, HOUSTON'S AWESOME!
BB:  Favorite restaurant in Houston?
D:  That's a hard one, has to be either Radical Eats or Hollywood.

BB:  I asked Eyesore what was the last show he went to…what you got?
D:  Last show I went to was Snoop at SummerFest. He put on an awesome show and there was an even better aroma in the air. Good times.
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BB:  What is your gear ratio?
D:  48x16
BB:  What's your dream bike?
D:  A white Panasonic frame with Dura-ace cranks and seat post, and Nitto stem and bars. Rolling on white B-42 laced up to Dura-Ace hubs... Sexy.


Wednesday, June 6, 2012

Eyesore - Action and Words

I recently hooked up with Houston's own Eyesore for some action shots. He was also kind enough to answer a few questions. Eyesore definitely has one of the more unique styles, not just for Houston, but anywhere. More Eyesore can be seen on his blog linked to the left as well as my flickr, o texano.  Enjoy.


Bridge Burner:  Who are a few graffiti writers that you find inspirational?
Eyesore:  All of DTS, GY, JADES, DAMET, KIDS, FUKITOL, GOYA, VIZIE, DIRTYJEFF, GIVEUP, DUAL, SWAMPY, BOMIT, BAST, FAILURE, REMIO, and IRAKNY.  
BB:  The kind of "hashing" line stroke you often use to sketch, was that something you learned or did it develop over time on your own?
E:  My obsessive-compulsive line style has happened over time and I’m sure it will continue to evolve with each new drawing or project I get started on. These drawings take hours to complete and I’m always working on 3 or 4 at a time.

BB:  Which is more gratifying for you, people enjoying your work in a gallery or on the street?
E:  I just wanna make, create, setup, build, draw, paint, post and destroy as much as possible anywhere and everyplace.
BB:  You often draw female faces, are most of the subjects people you know or are they fictional?
E:  Most are friends a few are not.
BB:  You have done quite a few street sign pieces, how do you feel about fans taking the signs home?
E:  I don’t mind, I can always make more. 


BB:  It seems that many artists, especially "street artists," from Houston love this city and are very connected to it. Do you ever see yourself leaving Houston?
E:  I hate it here, I never want to leave.
BB:  What was the last show you went to?
E:  Black Tusk
BB:  What are your top 5 albums?
E:  Slint – “Spiderland”, Shellac – “At Action Park”, Converge – “Jane Doe”, Fugazi – “The Argument”, Metallica – “Master of Puppets”